Tag: Little Steven and the Disciples of Soul

Generally, there’s no such thing as a bad concert, and 2019 was no exception. While my criteria for what’s constitutes a good concert experience changes a bit from show to show — the location of my seat, the ticket price, whether I got to go to the meet-and-greet, the quality of the photos I get — I can usually find a lot of things I like about a show.

I couldn’t limit the list to the Top 10 shows of 2019, so I made it Top 11 this year. Really, all the concerts were very good, it’s just that these were just a little bit better.

11. Steely Dan — The Met/Philly (Nov. 9) — There was a lot right and a few things wrong for me at this show. First and foremost, the music was brilliant, Donald Fagen can still deliver the goods, and his band is nothing short of outstanding. And while the historic venue is something to behold and a nice place to see a concert, the fact that there is little parking nearby and the overly aggressive ushers on prohibiting photos really took away from this show and explains the reason for the rank. But boy, what a catalog of great songs performed with master musicianship.

Original members of Three Dog Night, Michael Allsup and Danny Hutton.
(Photo by Mike Morsch)

10. Three Dog Night — American Music Theatre/Lancaster, PA — (Sept. 22) — There are only two original members left — vocalist Danny Hutton and guitarist Michael Allsup — but they still sound like classic TDN. The band’s library of hits includes some of my favorite songs from the 1970s. And the American Music Theater is a great place to see a show. The seats are wide and comfortable and the leg room between rows is plentiful. Plus I went down to the stage, something I’ve just started doing in the past year if the opportunity presents itself, for the encore, “Joy to the World.”

9. Gary Clark Jr. — Ryman Auditorium/Nashville, TN (March 7) — I was unfamiliar with Clark’s music and my pal Jared Bilski invited me to this show when we were in Nashville for a work conference. Once the show started, I became an immediate fan of Clark’s music. Of course, being in the historic Ryman was a treat, despite the hard church pew bench seating in the balcony. The no-photo policy always annoys me, and this was no exception in that regard. Clark is a tremendous guitarist and can sing. I’d go see him again. I loved Nashville and I’d like to sit downstairs at the Ryman the next time.

8. Dan May — Sellersville Theater/Sellersville, PA — (July 5) — Dan’s shows are always wonderfully entertaining and his songwriting is brilliant. The venue is where we first discovered Dan’s music when he opened for Crystal Gayle, so we always try to see him there. In recent years, Dan has added storytelling segments to his shows, reading chapters from his books, and I really enjoy that. There isn’t a better night of music and entertainment than the Philadelphia-based local musician and his band.

Dewey Bunnell and Gerry Beckley of America.
(Photo by Mike Morsch)

7. America — Penn’s Peak/Jim Thorpe, PA — (Aug. 17) — Given my well-chronicled affinity for what is one of my favorite bands of all-time, you might be surprised at this ranking. I see this show every time I can and will continue to do so for as long as I’m able. Dewey Bunnell and Gerry Beckley still sound great, they do all the hits and the venue offers some great seat options, great prices and a spectacular view of the Poconos.

J.D Malone and Tommy Geddes.
(Photo by Mike Morsch)

6. J.D Malone and the Experts — Steel City Coffeehouse/Phoenixville, PA — (March 16) — Intimate venue, high-energy show where the artists come out and greet the fans personally before the show. Another full night of entertaining music for the ticket price by another Philadelphia-area artist. J.D’s songwriting is undeniably wonderful and he always looks like he’s enjoying himself up there on stage. That’s contagious for the audience and it returns the love.

Left to right, Elliot Lurie of Looking Glass, Peter Beckett of Player and John Ford Coley.
(Photo by Mike Morsch)

5. Rock the Yacht, featuring Elliot Lurie of Looking Glass, Peter Beckett of Player, Ambrosia, John Ford Coley and Walter Egan/The Borgata, Atlantic City, NJ — (Aug. 23) — A very yacht rocky lineup of many of my favorite artists of the 1970s. They all still sound great and we had great seats at a reasonable price. In addition to the show, a highlight of the evening was before the show, where we had the opportunity to meet and have dinner with Elliot Lurie, who wrote “Brandy (You’re A Fine Girl),” one of the most iconic songs of the 1970s. A personable and friendly gent, I had interviewed Elliot for “The Vinyl Dialogues Volume IV: From Studio to Stylus” after connecting with him on Facebook. It was a thrill for me to meet the guy who wrote one of the songs to the soundtrack of my life. After that, the concert was gravy.

Micky Dolenz and Mike Nesmith of The Monkees.
(Photo by Mike Morsch)

4. The Monkees — Keswick Theatre, Glenside, PA — (March 6) — There’s only two of them left — Micky Dolenz and Mike Nesmith — but they still sounded like The Monkees. This was a rescheduled show from 2018 when Nesmsith fell ill on the stage of the Keswick during sound check and eventually needed heart surgery. But the duo put on a great show and gave us a little slice of our childhood back for one evening.

Daryl Hall and John Oates.
(Photo by Mike Morsch)

3. Daryl Hall and John Oates — Allentown Fairgrounds, Allentown, PA — (Sept. 1) — This show could have been ranked lower because I’ve seen them so many times, but it’s not because Hall & Oates are just that damn good. An outdoor show on wooden chairs at a fairgrounds can present some challenges, but the weather held. Allentown is close enough to home turf for Daryl and John, and they always seem to be comfortable on their home field. We’ve seen this show many times, and it’s always ridiculously solid. The band is tight, tight, tight. The catalog of hits is undeniable. There have been times when I’ve hoped for some deeper cuts in the setlist, but John has told me in more than one interview that they feel obligated to the fans to play the hits. These guys are as good now as they ever were and we’re lucky that they’re still out there sharing their music with us.

2. Lionel Richie, Hard Rock Cafe, Atlantic City, NJ — (March 23) — This high ranking shows just how good a showman, entertainer and singer Lionel Richie is because I absolutely dislike this venue. The room is just full of bad angles, many of the seats are too far from the stage and it has a no-photos policy, which will always rub me the wrong way. But Richie can sing, he’s so personable on stage, and there’s no denying the great catalog of music. This is one where I wish I would have been sitting closer but the ticket prices were prohibitive for those seats. I’d go see him again in a heartbeat.

Little Steven Van Zandt and the Disciples of Soul.
(Photo by Mike Morsch)

1. Little Steven and the Disciples of Soul — Keswick Theatre, Glenside, PA — (July 20) — All the stars lined up perfectly for this show, which is why is takes the top spot. I went by myself, which isn’t my preference, but I got a ticket for $79.50 right in the front row. The Disciples of Soul rocked the house, Little Steven was all Little Steven and more, I love his music and I was in the catbird seat for photos, which Stevie himself encourages people to take. There’s always that slight chance that Bruce Springsteen is going to show up unannounced at an East Coast Steveie show, but that didn’t happen at this one. At one point Stevie stuck the mic in my face so I could sing a little — not a really good idea — but I wasn’t familiar enough with the lyrics of the song, so I shit down my leg and had to mush-mouthed it. He looked at me like, WTF man. But it was a tremendous amount of fun and I got some outstanding photos. If the opportunity presents itself, always sit in the front row when you can.

Stories from the front row with Little Steven and the Disciples of Soul

By Mike Morsch

On July 21, 2019

In The Vinyl Dialogues Book

Stevie Van Zandt, a member of Bruce Springsteen’s Rock and Roll Hall of Fame group the E Street Band, brought his Little Steven and the Disciples of Soul show to the Keswick Theatre in Glenside, PA, Saturday, July 20.
(Photo by Mike Morsch)

If you’ve got a favorite band who you’d like to see live, do yourself a favor and spend the money to sit in the front row. And if Stevie Van Zandt sticks a microphone in your face, make sure you know the words to the song he wants you to help sing.

Little Steven and the Disciples of Soul were at the Keswick Theatre in Glenside, PA, Saturday, July 20. I had been carrying around a gift card from Christmas and was looking for the right concert on which to spend it. And I wanted to see Little Steven.

Front row tickets aren’t always affordable, but for this show, they were. Only $81.50, which is a bargain for a Rock and Roll Hall of Famer. It seemed like the perfect way to treat myself with the gift card that was suddenly burning a hole in my wallet. I could hear my wallet screaming at me: “It’s Little Steven, you idiot! Jersey Shore sound. E Street Band. It’s a no-brainer!”

Yes it was. Means, motive, opportunity. Front row, baby.

Sitting that close provides the chance to interact a bit with the artist, and I got my opportunity late in the show during an audience participation song.

Stevie walked right up to me at the edge of the stage and stuck the mic out. Now, I had just perfectly executed a singalong at a bar in Sea Isle, N.J., the week before when the artist held the mic out to me to sing the chorus of “Build Me Up Buttercup,” the hit single from The Foundations in 1968.

But when Stevie looked down and pointed the microphone at me, we weren’t singing “Build Me Up Buttercup.” I know the words to that song.

Little Steven and the Disciples of Soul performed a rockin’ two-and-a-half-hour set Saturday night.
(Photo bu Mike Morsch)

I not only didn’t know the words to the song Stevie was singing, I didn’t even know the song. Of course, my first reaction was to fake it. “Nah, nah, nah, yeah, yeah. Harumpf, grumble, groan, growl, baby-baby,” I spewed into the open mic in front of hundreds of people who apparently did know the words to the song and were singing along perfectly in union.

Oh, fer crissakes (face palm). How embarrassing. I finally got my 15 seconds of fame and turned it into five seconds of shitmouth. I’m pretty sure Stevie was thinking, “Man, you really fucked that up Mikey. Why don’t you and me take a little ride. I hear the Pine Barrens are pretty this time of year.”

Ok, I’ll sit down and shut up for the rest of the concert.

But Little Steven and the Disciples of Soul put on a great show. Stevie had been upset on Twitter at a recent review of the show where the reviewer thought the band had mailed it in. But I didn’t see any of that. There was a seemingly endless energy from everybody on stage for two and a half hours. And we even got to see Stevie’s wife, Maureen Van Zandt (who also played the wife of his character Silvio Dante in “The Sopranos”), who came out to dance with him on “Soul Power Twist,” one of the fabulous songs — along with my other favorites “Love Again” and “A World of Our Own” — on his new album “Summer of Sorcery.”

Stevie’s wife, Maureen Van Zandt, joined him onstage to dance the “Soul Power Twist.”
(Photo by Mike Morsch)

I’m not only a fan of his music, but I’ve been a fan of Stevie’s persona for a while now. What a wonderfully pleasant guy to talk to. He’s a walking history book of music knowledge. I’ve gotten to interview him twice for advance stories that I was doing, once when he was producing a series of reunion shows for The Rascals several years ago, and more recently to advance a show he was doing a couple of years ago at the Count Basie Center for the Arts in Red Bank, N.J., kind of his home turf venue.

What I really enjoy taking to him about though is his role — along with Bruce Springsteen (more than 600 words in this piece and this is the first mention of Springsteen) and Southside Johnny & the Asbury Jukes — in the development of what we now know as the “Jersey Shore sound.” His interview, along with an interview I did with Southside Johnny Lyon, will appear in a chapter about Southside’s first three albums in “The Vinyl Dialogues’ Greatest Hits: Volume V,” which I’m working on now.

Stevie Van Zandt — along with Bruce Springsteen and Southside Johnny Lyon — were instrumental in the development of the “Jersey Shore sound.”
(Photo by Mike Morsch)

Here’s a sample of what Stevie said:

“The bar bands’ configuration, the bar bands’ sound, the bar bands’ music, literally changed its definition with Southside Johnny & the Asbury Jukes,” said Van Zandt. “Before that, bar bands were strictly Top 40. And only with the Jukes did they become synonymous with soul music and rhythm and blues, which is what all bar bands are considered to be now — their standard format. That wasn’t the case before the Jukes.

“It really did help to integrate the ‘Jersey Shore sound’ and at the time, really start to flesh out that sound. When there is more than one artist working, it starts to make the whole context more interesting,” said Van Zandt, who produced the first three Southside albums in the 1970s and wrote or co-wrote several songs for this albums, including “I Don’t Want to Go Home,” “This Time It’s for Real” and “Love on the Wrong Side of Town” with Springsteen. “What we had with Southside, I really didn’t appreciate it until later when someone explained to me how we had redefined the entire bar band definition and sound.”

Stevie’s sound — as well as his musicianship and showmanship — were on full display Saturday night. The Disciples of Soul killed it. And I walked away from the merch table with a tour poster, hat and the “Summer of Sorcery” CD.

My wallet was right. Sitting in the front row for this concert was indeed a no-brainer.

The Disciples of Soul having some fun at the Keswick Theatre in Glenside, PA.
(Photo by Mike Morsch)

Stories behind memorable albums of the 1970s as told by the artists

Tag: Little Steven and the Disciples of Soul

Whoa-oh-oh, listen to the music: The best concerts of 2019

Stories from the front row with Little Steven and the Disciples of Soul