Stories behind memorable albums of the 1970s as told by the artists

Tag: Beatles

The Beatles took the U.S. by storm, and then almost got taken by a storm themselves

The Beatles – John Lennon, Paul McCartney, George Harrison and Ringo Starr (pictured here during a solo show at the Tower Theater in Upper Darby, Pennsylvania, in 2015) – first appeared in the United States on Feb. 9, 1964, on the “Ed Sullivan Show.”
(Photo by Mike Morsch)

In February 1964, a snowstorm had blasted the northeast. The region was paralyzed and air travel had virtually shut down.

Sandy Yaguda was at his home in Brooklyn, waiting out the storm. 

Yaguda — stage name Sandy Deanne — was one of the original members of the group Jay and the Americans, which by winter of 1964 had recorded a couple of hit songs, most notably “She Cried,” which reached No. 5 on the Billboard Hot 100 chart in 1962.

And then the phone rang Feb. 10 at Yaguda’s house. It was the band’s manager.

“He called and said, ‘Listen, you guys have to find a way to get to Washington, D.C. You’re playing with the Beatles and the Righteous Brothers tomorrow night,’” said Yaguda.

The Beatles had taken America by a storm even bigger than the one that had rocked the northeast that week. They had made their U.S. debut on the Ed Sullivan Show on Feb. 9, 1964, in New York City, and their first live concert in the U.S. was scheduled just two days later, on Feb. 11, at the Washington Coliseum in the nation’s capital. 

Because of the heavy snow blanketing the region, all flights had been canceled and the Beatles had taken a train to D.C. for the gig. Originally scheduled to appear with the Beatles at the Coliseum were the Chiffons, an all-girl group from the Bronx who had the hits “He’s So Fine” and “Will You Still Love Me Tomorrow” in 1963; and Tommy Roe, who had a No. 1 hit with “Sheila” in 1962.

But because of the storm, neither The Chiffons nor Roe could make it to D.C. Instead, the call went out to the Righteous Brothers and Jay and the Americans to fill the bill.  

“We had seen the newsreels of the Beatles, with girls screaming and fainting in Germany. The hype was on but they hadn’t really been here yet. They were just starting,” said Yaguda.

Jay and the Americans made it safely to D.C. the day of the show and upon arrival were immediately greeted by the marquee on the outside of the Coliseum that read, “The Beatles . . . and others.”

That didn’t sit too well with Jay Black, the lead singer for Jay and the Americans.

“Fuck this! Turn the car around! We’re leaving!” Yaguda recalled Black saying.

“And me being the voice of reason — the Ringo of the group — I said we can’t do that, we signed a contract, we’ll get sued for twice the money. We have to play the show,” said Yaguda. 

Black calmed down and the group unloaded the car and went inside the Coliseum.

A pre-show press conference with the Beatles was about to start and the members of Jay and the Americans wanted to see what all the fuss was about. So they sat in the grandstand of the Coliseum, close enough to hear what was going on between the reporters and the Beatles.

“One of the reporters said, ‘How did you find America?’ And Ringo said, ‘We made a left at Greenland.’ We all looked at each other, and we said you know what, these aren’t silly little kids. These kids are sharper than they’re getting credit for,” said Yaguda.

The show itself was a madhouse. During the performance of the Righteous Brothers, the crowd of mostly young girls chanted “We want the Beatles!” so loudly that it nearly drowned out the performance of the opening act.

Once again, that wasn’t acceptable to Black. When the crowd continued chanting “We want the Beatles!” during the Jay and the Americans set, Black reacted, but not in anger.

His instincts turned out to be right this time.

“Jay, being who is he, went out and said, ‘Hey, man, I’m glad you all came out to see us tonight,’” said Yaguda. “And they all cracked up. That won them over, so they shut up and listened to us and when we were done, gave us a big round of applause.”

When Jay and the Americans finished its set, the band members returned to their dressing rooms in the basement of the Coliseum. 

“About three minutes later, a noise went up the likes of which I’ve never heard in my life, not when the Yankees won the World Series, not when Elvis performed. Because it was an enclosed building, the sound couldn’t escape; it just kept reverberating,” said Yaguda.

The Beatles had taken the stage. 

“It didn’t die down. It was continuous. We all had to cover our ears with our hands and we just looked at each other in amazement,” said Yaguda.

“When it finally stopped, we said to each other, ‘Something just happened.’ We saw Elvis and we played with Roy Orbison; we played with a lot of people. And we’ve seen great ovations and we’ve gotten great ovations. This was something entirely different. This was mass hysteria. And we knew without even seeing it. We heard it and we knew it,” said Yaguda.

It would be the only time Jay and the Americans would share the bill with the Beatles.

Jay and the Americans, seen here in a 2017 show in New Brunswick, New Jersey, were a last-minute fill-in to open for the Beatles in their first U.S. concert on Feb. 11, 1964, in Washington, D.C.
(Photo by Mike Morsch)

Ringo very good at being Ringo – and at getting by with a little help from his All-Starr friends

Ringo Starr admires the flowers given to him by a fan at his show Oct. 30, 2015, at the Tower Theater in suburban Philadelphia. (Photo by Mike Morsch)

Ringo Starr admires the flowers given to him by a fan at his show Oct. 30, 2015, at the Tower Theater in suburban Philadelphia.
(Photo by Mike Morsch)

Before the show Friday night at the Tower Theater in Philadelphia, people were gravitating toward the stage to take pictures of Ringo Starr’s drum set.

It was the day before Halloween, but the only sign of that was a jack-o-lantern that was sitting on the riser alongside the drum set. On the pumpkin was an image of Ringo. I recognized it right away. It was the way Ringo was drawn for the Beatles Saturday morning cartoon series that ran on ABC from 1965 through 1969. It was one of my favorite cartoons as a kid and I watched it every Saturday.

The image on the pumpkin immediately reminded me of my childhood and a much simpler time. And it reminded me that it’s pretty universally agreed upon now that Ringo was in a pretty good band in the 1960s, a band that was big enough to have its own Saturday morning cartoon show, which happened to be the first weekly television series to feature animated versions of real, living people.

I never saw the Beatles perform live. My folks, who would have been in their 30s when the Beatles first became popular in the U.S., had a few of their 45 rpm records in the house. I recall listening to “I Want to Hold Your Hand” on the record player when I was about 6 or 7 years old. (“I Want to Hold Your Hand” was released in November 1963. “I Saw Her Standing There” was on the B-side.)

A jack-o-lantern featuring Ringo's cartoon character sits next to his drum set.  (Photo by Mike Morsch)

A jack-o-lantern featuring Ringo’s cartoon character sits next to his drum set.
(Photo by Mike Morsch)

Friday night in suburban Philly would be the first time I had ever seen one of the Beatles perform live.

Since 1989, Ringo has been performing with his All-Starr Band, and the Oct. 30 Philly stop would be the next-to-last show on the current tour. The first All-Starr Band members included Joe Walsh from the Eagles; Clarence Clemons and Nils Lofgren of the E Street Band; Dr. John; Billy Preston; Levon Helm and Rick Danko from The Band; Jim Keltner; and several guest artists, including Ringo’s son, Zac Starkey.

This tour’s lineup of the All-Starr Band included Steve Lukather of Toto; Gregg Rolie of Santana and Journey; Philly’s own Todd Rundgren; Richard Page of Mr. Mister; Warren Ham; and Gregg Bissonette.

And man, was it a good show. Ringo was his charming, funny, peace-sign flashing self. Wearing a red jacket to start the show, he would change it midway through the set opting for a black jacket that had – what else – stars on it, he moved effortlessly across the stage as the frontman. Ringo is in his mid-70s, but he looks and has the energy of someone half his age.

He’s been doing this for a long time, so Ringo is very good at being Ringo.

All-Starr band members, including Todd Rundgren and his funky concert attire, second from right, acknowledge the cheers of an appreciative crowd after the show. (Photo by Mike Morsch)

All-Starr band members, including Todd Rundgren and his funky concert attire, second from right, acknowledge the cheers of an appreciative crowd after the show.
(Photo by Mike Morsch)

Many of the Ringo hits were on the set list, including “It Don’t Come Easy” (1971); “Photograph” (1973); and “You’re Sixteen” (1973), as were the Beatles hits featuring Ringo including “Yellow Submarine” (1966) and “With A Little Help From My Friends” (1967). Noticeably absent, at least for me, were some of my favorites, including “Octopus’s Garden” (1969); “Back Off Boogaloo” (1972); “Oh My My” (1974); and the “No No Song” (1975).

But he’s also comfortable in his more familiar role, that of stepping back behind the drum set, banging away and letting his all-stars steal the show. Which they did.

Rolie offered up Santana’s “Evil Ways” (1969) and “Black Magic Woman” (1970); Rundgren performed his song “Love is The Answer,” which reached No. 10 on the Billboard Hot 100 chart for England Dan and John Ford Coley in 1978, and “Bang The Drum All Day” (1983); and Page took the lead on Mr. Mister’s “Kyrie” and “Broken Wings,” both from 1985.

All great songs, all performed flawlessly and all a pleasure to experience live.

But the highlight of the evening for me was Lukather absolutely kicking ass on Toto’s two huge hits from 1982: “Rosanna,” which reached No. 2; and on a chill-inducing performance of the No. 1 hit “Africa.” Simply outstanding.

Some new headgear from the Ringo merchandise table. (Photo by Mike Morsch)

Some new headgear from the Ringo merchandise table.
(Photo by Mike Morsch)

These guys aren’t called all-stars for nothing. It was two hours of great music and entertainment.

The only oddity – and certainly this is a subjective opinion – was Rundgren’s wardrobe choice for the show. He was wearing an outfit that looked a lot like a test pattern, and it reminded me somewhat of The Riddler’s costume that actor Frank Gorshin wore on the 1960s television show “Batman.” It certainly was difficult not to notice it, which I assume is what Rundgren intended.

Everybody was feeling good on the way out of the show, and I wanted to grab something from the merchandise table to commemorate the evening. It’s not like Ringo needs my money, given the fact that he’s probably made a bazillion dollars in his career.

I settled for a $30 ballcap, on which the words “Peace & Love & Ringo” are stitched.

It’s a pretty cool hat and I like the message it conveys. I slapped it on my head as I walked to the car. It seemed like a perfect way to end the evening.

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