Stories behind memorable albums of the 1970s as told by the artists

Tag: BB&T Pavilion

Hall & Oates concert delivers a few Philly surprises to the Philly faithful

The big screen overlooks Daryl Hall and John Oates on July 10, 2016, at the BB&T Pavilion in Camden, N.J. (Photo by Mike Morsch)

The big screen overlooks Daryl Hall and John Oates on July 10, 2016, at the BB&T Pavilion in Camden, N.J.
(Photo by Mike Morsch)

Daryl Hall and John Oates are very good in concert. But when they go off the script a little, they’re even better.

That’s what happened at the July 10 show at the BB&T Pavilion in Camden, N.J. Even though the venue is across the Delaware River from Philadelphia, this was clearly a Philly show with a Philly vibe by the Philly area natives.

And the evening featured a couple of really cool surprises for the Philly faithful, which Hall promised at the beginning of the show.

We know a Hall & Oates concert will include all the hits. And the setlist reflected that. H&O opened with “Maneater,” a No. 1 single in 1982, I think mostly to just get it out of the way. Although it’s a hugely popular song with the fans and gets everybody up on their feet right from the get-go, Oates is on the record in past interviews with me that he thinks he and Daryl – both members of the Songwriters Hall of Fame – have matured as songwriters since they wrote that tune.

The rest of the setlist included:
“Out of Touch” – No. 1 in 1984.
“Say It Isn’t So” – No. 2 in 1983.
“You’ve Lost That Lovin’ Feelin’” – A Righteous Brothers cover that was No. 12 for Hall & Oates in 1980.
“Las Vegas Turnaround” – Not released as a single, but an Oates-penned song and fan favorite off the “Abandoned Luncheonette” album in 1973.
“She’s Gone” – No. 60 when first released as a single off “Abandoned Luncheonette,” but No. 7 when it was re-released in 1976.
“Sara Smile” – No. 4 in 1976.
“Wait for Me” – No. 18 in 1979.
“I Can’t Go for That (No Can Do)” – No. 1 in 1981.
“Rich Girl” – No. 1 in 1977.
“You Make My Dreams” – No. 5 in 1981.

The first encore included “Kiss on My List” and “Private Eyes,” both No. 1 singles in 1981.

(Photo by Mike Morsch)

(Photo by Mike Morsch)

But it was the second encore where the duo put everyone in a Philly mood.

“In the spirit of Daryl’s House, I’m going to bring out somebody who is a legend in Philadelphia,” said Hall. “I won’t give you a history lesson, but this man was the biggest star in the world. I’m talking about Chubby Checker.”

The 74-year-old Checker was raised in Philadelphia and had a smash single in 1960 with “The Twist,” which also turned into a dance style, one which I think I’ve done at every wedding I’ve ever attended.

Hall, Oates and their always-stellar band then opened the second encore with “The Twist” while Chubby and the rest of us twisted the night away like nobody was watching. Fortunately, I did not pull a hamstring or blow out a knee.

As much of a treat as it was to see Chubby, it was the second song of the second encore – and final song of the show – that sealed the Philly evening: A cover of “Didn’t I (Blow Your Mind This Time),” a 1969 single by the Philadelphia group the Delfonics, produced by Thom Bell and released on the Philly Groove Records label. The song predates the creation of Philadelphia International Records, founded in 1971 by Kenny Gamble and Leon Huff, and is recognized as one of the early “Philly soul” singles. Gamble and Huff would further develop and popularize the sound of Philadelphia – with a huge contribution by Bell who had eventually joined them – throughout the 1970s.

(Photo by Mike Morsch)

(Photo by Mike Morsch)

According to the Hall & Oates camp, it was decided two days before the show that Chubby would come on and do “The Twist.” And “Didn’t I (Blow Your Mind This Time)” had only been played a few times before by Hall & Oates in concert, that being at Madison Square Garden and again at a show in Reading, PA, both in February 2016. Hall and Oates just wanted to do it for the Philly crowd at this show. (Further research shows that Daryl and another Philly guy, Todd Rundgren, performed “Didn’t I” on episode 40 of “Live From Daryl’s House” in 2011.)

It was the first time I had heard them do that song in concert, and really, I think it should be included in every Hall & Oates concert. It was just that good.

The outdoor BB&T Pavilion was filled to capacity, with people seated on the lawn all the way up to the back wall, which is quite a long way from the stage. The weather cooperated for those exposed to the elements, which is something I suppose. But I prefer to stay a little closer to the action on the stage.

Joining Hall & Oates on this tour and adding to the soul quotient was Trombone Shorty & Orleans Avenue and Sharon Jones and the Dap-Kings.

Chubby Checker joined Daryl Hall and John Oates on stage to perform "The Twist." (Photo by Mike Morsch)

Chubby Checker joined Daryl Hall and John Oates on stage to perform “The Twist.”
(Photo by Mike Morsch)

Both were well-received by the Camden/Philly crowd and rightfully so. Trombone Shorty and his band are high energy and incredibly talented. And although Ms. Jones is battling a reoccurrence of pancreatic cancer that she thought she had beaten a few years ago, she showed tremendous heart and soul with her performance. “No matter how bad I feel, I just have to get on this stage. And I’m gonna give it all I’ve got.” The crowd recognized, respected and appreciated that effort.

Editor’s note: Interviews with Daryl and John about the music on and the making of the 1975 album “Daryl Hall & John Oates” – known as “The Silver Album” – will be featured in “The Vinyl Dialogues Volume III: Stacks of Wax,” due out this month. They reveal what song on that album almost became the theme song for what would become a mega movie of the 1970s; the stories behind the singles “Sara Smile” and “Camellia”; and the details surrounding the photo shoot and decision to use a “glam rock” photo of the two on the cover.

Reelin’ in the Steely Dan experience, with an assist from Steve Winwood

Steely Dan, with Walter Becker, left, and Donald Fagen, performed "The Dan Who Knew Too Much Tour 2016" July 3 at the BB&T Pavilion in Camden, N.J. (Photo by Mike Morsch)

Steely Dan, with Walter Becker, left, and Donald Fagen, performed “The Dan Who Knew Too Much Tour 2016” July 3 at the BB&T Pavilion in Camden, N.J.
(Photo by Mike Morsch)

Here the thing: If you’re a Steely Dan fan and you’ve paid to see the band in concert, then you cannot get up and go to the restroom just as the artists are breaking into “Reelin’ in the Years.”

I understand that those of us who grew up with Steely Dan over the past 40-plus years may be at an age where the frequency of using the facilities may be more challenging to us at this age than it was in our younger days.

But c’mon, it’s “Reelin’ in the Years,” one of Steely Dan’s most enduring hits. The song, written by Dan founders Donald Fagen and Walter Becker, reached No. 11 on the U.S. Billboard Hot 100 chart and No. 7 on the U.S. Cashbox Top 100 chart in 1973. It appeared on the band’s debut album “Can’t Buy A Thrill,” released in November 1972.

Surely one can reel in the bladder for the 4:37 of the song while its being played live.

Apparently not, as evidenced by the two women sitting in front of me at the July 3 Steely Dan show at the BB&T Pavilion in Camden, N.J., who missed the entire song.

It was, however, only a minor distraction from what was otherwise another outstanding show by Steely Dan, which featured Steve Winwood as the opener (more on him later).

You know that old saying – made popular by those of us who grew up in the 1960s and 1970s – that “we got to see all the good bands.” Well, let the record show that we were right. And we’re fortunate that one of the good bands is still around for us to see today.

Walter Becker, right, grooves with the Steely Dan band. (Photo by Mike Morsch)

Walter Becker, right, grooves with the Steely Dan band.
(Photo by Mike Morsch)

For nearly two hours, Steely Dan did what it does, perform the music that it has made for nearly five decades – that great jazz rock, smooth groove, with a some funk and R&B thrown in. The Dan only toured for a few years in the early 1970s, then became mostly a studio-only band until hitting the road again in 1993. And it has been touring fairly regularly ever since.

The core members – Fagen and Becker – have remained the constants, and have surrounded themselves with a revolving cast of talented musicians and backing vocalists. “The Dan Who Knew Too Much Tour 2016” features a stellar lineup, what Becker called “the best Steely Dan band we’ve had in our careers.”

The setlist included all the hits and then some: “Black Cow,” “Hey Nineteen,” “Kid Charlemagne,” “Bodhisattva,” “Do it Again,” “Deacon Blues,” Josie” and “Peg” to name a few. The encore was “Pretzel Logic,” the title track from the 1974 album. Noticeably absent from the set was the band’s highest charting single, “Rikki Don’t Lose That Number,” which reached No. 4 on the Billboard Hot 100 chart in 1974.

It was the first time I had seen Steely Dan live and the band did not disappoint. And it has been a particular pleasure to go back searching for the Dan’s vintage vinyl at record stores in an effort to revisit its early efforts and gain a further appreciation for what the band brought to that rich music scene of the 1970s.

I got exactly what I hoped for from my first Steely Dan concert. If there was a surprise during the evening – and surprise may not be the correct word given his career accomplishments – it was that the Steely Dan crowd was very much into Steve Winwood as well.

Steve Wijnrood, left, and his band take a bow after their set opening for Steely Dan. (Photo by Mike Morsch)

Steve Wijnrood, left, and his band take a bow after their set opening for Steely Dan.
(Photo by Mike Morsch)

Winwood, also surrounded by a group of stellar musicians, presented a nine-song set and received five standing ovations from the appreciative crowd.

Consider that for a moment. Nine songs, five standing ovations. I’m not sure I’ve ever seen an opening act get that amount of love and respect. Winwood has scheduled 22 dates with Steely Dan this summer.

His set included two songs from his days with the Spencer Davis Group – “I’m the Man” and “Gimme Some Lovin’”; three songs from his time with Traffic – “Pearly Queen,” “Low Spark of High Heeled Boys” and “Dear Mr. Fantasy”; and his No. 1 hit single, “Higher Love,” which topped the charts in 1986 and earned two Grammys for Record of the Year and Best Male Pop Vocal Performance.

“You’re in for a treat when Steely Dan comes out later on,” Winwood said to the adoring throng three songs into his set. “Until then, we’ve got some music for you.”

Boy did he ever.

What wasn’t a surprise, of course, was that an evening with Steve Winwood and Steely Dan was a few hours of high quality entertainment, musicianship and great music. It was a bucket-list kind of a night.

As an aside, I’m always hopeful for an unbilled walk-on at the shows I attend. Every once in a while, Bruce Springsteen will walk on to a Southside Johnny Show. Just recently, Billy Joel did a walk-on with the band Big Shot, which just happens to include several members of his touring band.

The night after the Steely Dan show, right next door to the BB&T Pavilion in Camden, N.J., the town’s Fourth of July celebration was to be headlined by Michael McDonald. In addition to a successful stint with the Doobie Brothers starting in 1976 and a subsequent and equally successful solo career throughout the 1980s and 1990s, McDonald was a member of Steely Dan’s touring group in 1974.

McDonald provided backing vocals on the Dan’s 1975 album “Katy Lied,” the 1976 album “The Royal Scam” and the 1977 album “Aja” (along with Timothy B. Schmit of Poco and the Eagles).

It would not have been out of the question – at least in my mind – that since McDonald was performing the next night 100 yards from the BB&T Pavilion, that maybe he might already be in town, make a guest appearance and lend his voice to some of the Steely Dan hits on which he contributed in the 1970s.

But it didn’t happen, which was OK. Steely Dan and Steve Winwood didn’t need any help giving us our money’s worth.

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