{"id":532,"date":"2016-07-11T22:11:39","date_gmt":"2016-07-12T02:11:39","guid":{"rendered":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/?p=532"},"modified":"2016-07-11T22:11:39","modified_gmt":"2016-07-12T02:11:39","slug":"hall-oates-concert-delivers-a-few-philly-surprises-to-the-philly-faithful","status":"publish","type":"post","link":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/hall-oates-concert-delivers-a-few-philly-surprises-to-the-philly-faithful\/","title":{"rendered":"Hall & Oates concert delivers a few Philly surprises to the Philly faithful"},"content":{"rendered":"
\"The<\/a>

The big screen overlooks Daryl Hall and John Oates on July 10, 2016, at the BB&T Pavilion in Camden, N.J.
(Photo by Mike Morsch)<\/p><\/div>\n

Daryl Hall and John Oates are very good in concert. But when they go off the script a little, they\u2019re even better.<\/p>\n

That\u2019s what happened at the July 10 show at the BB&T Pavilion in Camden, N.J. Even though the venue is across the Delaware River from Philadelphia, this was clearly a Philly show with a Philly vibe by the Philly area natives.<\/p>\n

And the evening featured a couple of really cool surprises for the Philly faithful, which Hall promised at the beginning of the show.<\/p>\n

We know a Hall & Oates concert will include all the hits. And the setlist reflected that. H&O opened with \u201cManeater,\u201d a No. 1 single in 1982, I think mostly to just get it out of the way. Although it\u2019s a hugely popular song with the fans and gets everybody up on their feet right from the get-go, Oates is on the record in past interviews with me that he thinks he and Daryl – both members of the Songwriters Hall of Fame – have matured as songwriters since they wrote that tune.<\/p>\n

The rest of the setlist included:
\n\u201cOut of Touch\u201d – No. 1 in 1984.
\n\u201cSay It Isn\u2019t So\u201d – No. 2 in 1983.
\n\u201cYou\u2019ve Lost That Lovin\u2019 Feelin\u2019\u201d – A Righteous Brothers cover that was No. 12 for Hall & Oates in 1980.
\n\u201cLas Vegas Turnaround\u201d – Not released as a single, but an Oates-penned song and fan favorite off the \u201cAbandoned Luncheonette\u201d album in 1973.
\n\u201cShe\u2019s Gone\u201d – No. 60 when first released as a single off \u201cAbandoned Luncheonette,\u201d but No. 7 when it was re-released in 1976.
\n\u201cSara Smile\u201d – No. 4 in 1976.
\n\u201cWait for Me\u201d – No. 18 in 1979.
\n\u201cI Can\u2019t Go for That (No Can Do)\u201d – No. 1 in 1981.
\n\u201cRich Girl\u201d – No. 1 in 1977.
\n\u201cYou Make My Dreams\u201d – No. 5 in 1981.<\/p>\n

The first encore included \u201cKiss on My List\u201d and \u201cPrivate Eyes,\u201d both No. 1 singles in 1981.<\/p>\n

\"(Photo<\/a>

(Photo by Mike Morsch)<\/p><\/div>\n

But it was the second encore where the duo put everyone in a Philly mood.<\/p>\n

\u201cIn the spirit of Daryl\u2019s House, I\u2019m going to bring out somebody who is a legend in Philadelphia,\u201d said Hall. \u201cI won\u2019t give you a history lesson, but this man was the biggest star in the world. I\u2019m talking about Chubby Checker.\u201d<\/p>\n

The 74-year-old Checker was raised in Philadelphia and had a smash single in 1960 with \u201cThe Twist,\u201d which also turned into a dance style, one which I think I\u2019ve done at every wedding I\u2019ve ever attended.<\/p>\n

Hall, Oates and their always-stellar band then opened the second encore with \u201cThe Twist\u201d while Chubby and the rest of us twisted the night away like nobody was watching. Fortunately, I did not pull a hamstring or blow out a knee.<\/p>\n

As much of a treat as it was to see Chubby, it was the second song of the second encore – and final song of the show – that sealed the Philly evening: A cover of \u201cDidn\u2019t I (Blow Your Mind This Time),\u201d a 1969 single by the Philadelphia group the Delfonics, produced by Thom Bell and released on the Philly Groove Records label. The song predates the creation of Philadelphia International Records, founded in 1971 by Kenny Gamble and Leon Huff, and is recognized as one of the early \u201cPhilly soul\u201d singles. Gamble and Huff would further develop and popularize the sound of Philadelphia – with a huge contribution by Bell who had eventually joined them – throughout the 1970s.<\/p>\n

\"(Photo<\/a>

(Photo by Mike Morsch)<\/p><\/div>\n

According to the Hall & Oates camp, it was decided two days before the show that Chubby would come on and do \u201cThe Twist.\u201d And \u201cDidn\u2019t I (Blow Your Mind This Time)\u201d had only been played a few times before by Hall & Oates in concert, that being at Madison Square Garden and again at a show in Reading, PA, both in February 2016. Hall and Oates just wanted to do it for the Philly crowd at this show. (Further research shows that Daryl and another Philly guy, Todd Rundgren, performed \u201cDidn\u2019t I\u201d on episode 40 of \u201cLive From Daryl\u2019s House\u201d in 2011.)<\/p>\n

It was the first time I had heard them do that song in concert, and really, I think it should be included in every Hall & Oates concert. It was just that good.<\/p>\n

The outdoor BB&T Pavilion was filled to capacity, with people seated on the lawn all the way up to the back wall, which is quite a long way from the stage. The weather cooperated for those exposed to the elements, which is something I suppose. But I prefer to stay a little closer to the action on the stage.<\/p>\n

Joining Hall & Oates on this tour and adding to the soul quotient was Trombone Shorty & Orleans Avenue and Sharon Jones and the Dap-Kings.<\/p>\n

\"Chubby<\/a>

Chubby Checker joined Daryl Hall and John Oates on stage to perform “The Twist.”
(Photo by Mike Morsch)<\/p><\/div>\n

Both were well-received by the Camden\/Philly crowd and rightfully so. Trombone Shorty and his band are high energy and incredibly talented. And although Ms. Jones is battling a reoccurrence of pancreatic cancer that she thought she had beaten a few years ago, she showed tremendous heart and soul with her performance. \u201cNo matter how bad I feel, I just have to get on this stage. And I\u2019m gonna give it all I\u2019ve got.\u201d The crowd recognized, respected and appreciated that effort.<\/p>\n

Editor\u2019s note: Interviews with Daryl and John about the music on and the making of the 1975 album \u201cDaryl Hall & John Oates\u201d – known as \u201cThe Silver Album\u201d – will be featured in \u201cThe Vinyl Dialogues Volume III: Stacks of Wax,\u201d due out this month. They reveal what song on that album almost became the theme song for what would become a mega movie of the 1970s; the stories behind the singles \u201cSara Smile\u201d and \u201cCamellia\u201d; and the details surrounding the photo shoot and decision to use a \u201cglam rock\u201d photo of the two on the cover.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Daryl Hall and John Oates are very good in concert. But when they go off the script a little, they\u2019re even better. That\u2019s what happened at the July 10 show at the BB&T Pavilion in Camden, N.J. Even though the venue is across the Delaware River from Philadelphia, this was clearly a Philly show with […]<\/p>\n","protected":false},"author":104,"featured_media":628,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[34,59,70,112,137,233,293],"class_list":["post-532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tvdbook","tag-bbt-pavilion","tag-chubby-checker","tag-daryl-hall","tag-hall-oates","tag-john-oates","tag-sharon-jones","tag-trombone-shorty"],"_links":{"self":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/532"}],"collection":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/comments?post=532"}],"version-history":[{"count":0,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/532\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/media?parent=532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/categories?post=532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/tags?post=532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}