{"id":392,"date":"2015-10-02T11:27:31","date_gmt":"2015-10-02T15:27:31","guid":{"rendered":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/?p=392"},"modified":"2015-10-02T11:27:31","modified_gmt":"2015-10-02T15:27:31","slug":"hall-oates-christen-new-philadelphia-fillmore-in-true-philly-style","status":"publish","type":"post","link":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/hall-oates-christen-new-philadelphia-fillmore-in-true-philly-style\/","title":{"rendered":"Hall & Oates christen new Philadelphia Fillmore in true Philly style"},"content":{"rendered":"
\"Philly's<\/a>

Philly’s own Daryl Hall and John Oates played the first show at the new Philadelphia Fillmore on Oct. 1, 2015.
(Photo by Mike Morsch)<\/p><\/div>\n

The reality of a Hall & Oates show for me is this: Daryl and John could come out on stage, stand on their heads and play polka music on accordions and I\u2019d be happy with it.<\/p>\n

For the record, there is no accordion in the H&O band. This is probably a good thing, although I have no doubt that Charlie DeChant could play one if asked. (But for a moment, just ponder what \u201cKiss on My List\u201d might sound like on an accordion. Or . . . maybe not.)<\/p>\n

So this will not be an unbiased report on the opening show of the new Philadelphia Fillmore concert venue, which starred Philly\u2019s own Hall & Oates, on Thursday, Oct. 1.<\/p>\n

The original Fillmore was an iconic venue in San Francisco in the late 1960s that became the focal point of the psychedelic music scene of that era. Back in the day, artists like The Grateful Dead, Led Zeppelin, The Doors, Jimi Hendrix and Santana performed at the Fillmore. Those concerts were staged by the legendary concert promoter, the late Bill Graham.<\/p>\n

\"Bonnie<\/a>

Bonnie MacLean signs copies of the poster she created to commemorate the opening of the Philadelphia Fillmore. With Bonnie is her son, David Graham.
(Photo by Mike Morsch)<\/p><\/div>\n

The Philadelphia Fillmore is located in the former Ajax Metal Co. building – which itself dates back to the 1890s – off Frankfort Avenue in the Fishtown section of Philadelphia.<\/p>\n

The building is big and roomy. It actually has two clubs – the ground floor main room which can hold around 2,500 standing on the floor and another 1,200 seated in the balcony; and a smaller club on the top floor of the building that holds around 450 people.<\/p>\n

Philadelphia Mayor Michael Nutter was on hand to help Hall & Oates christen the venue. It was a big week for the mayor, hosting Pope Francis and then Hall & Oates in the same week. Nutter, who while in college in the 1970s was a DJ at Club Impulse in Philly, where he was known as \u201cMix Master Mike,\u201d might be hard-pressed to admit which end of the week he enjoyed more. But my sense is that he might at least concede that Hall & Oates are probably more hip than the pope.<\/p>\n

As for the concert itself, it\u2019s a pretty simple review: H&O delivered, the Fillmore delivered and the crowd delivered. Even though the show was sold out and the house was packed, I was able to move around both levels of the club without much trouble to take photos.<\/p>\n

Among those who didn\u2019t deliver were Mother Nature – she can be a ratfink when it comes to the timing of rain – and my knees, which barked at me quite a bit after standing for about three hours during the show.<\/p>\n

\"In<\/a>

In addition to the poster created by Bonnie MacLean, this poster was also given to fans who attended the first show at the Fillmore.
(Photo by Mike Morsch)<\/p><\/div>\n

The set list was vintage Hall & Oates, and included, in order:<\/p>\n

\u201cManeater\u201d (1982)
\n\u201cOut of Touch\u201d (1984)
\n\u201cDid It In A Minute\u201d (1982)
\n\u201cSay It Isn\u2019t So\u201d (1983)
\n\u201cYou\u2019ve Lost That Lovin\u2019 Feeling\u201d (1980)
\n\u201cLas Vegas Turnaround\u201d (1973)
\n\u201cShe\u2019s Gone\u201d (1973)
\n\u201cSara Smile\u201d (1976)
\n\u201cDo What You Want, Be What You Are\u201d (1976)
\n\u201cI Can\u2019t Go for That\u201d (1981)<\/p>\n

First encore:
\n\u201cRich Girl\u201d (1977)
\n\u201cYou Make My Dreams\u201d (1981)<\/p>\n

Second encore:
\n\u201cKiss on My List\u201d (1981)
\n\u201cPrivate Eyes\u201d (1981)<\/p>\n

Having seen H&O many times in concert, that\u2019s pretty much the set list one gets. In fact, John has told me in an interview that he and Daryl believe it\u2019s their professional obligation to play all those great hits in concert.<\/p>\n

\"Daryl<\/a>

Daryl and John thank the enthusiastic Philly fans.
(Photo by Mike Morsch)<\/p><\/div>\n

If I had a complaint about the set list, it would be that given the time of year and the circumstances of the event, \u201cFall in Philadelphia\u201d from H&O\u2019s first album, \u201cWhole Oats\u201d in 1972, would have been an appropriate addition for this show.<\/p>\n

Also on hand for the event was artist Bonnie MacLean, former wife of the aforementioned Bill Graham, who created some of those memorable and iconic psychedelic concert posters for the San Francisco Fillmore in the mid- to late-1960s. She was commissioned to create a Fillmore-style poster commemorating Hall & Oates and the inaugural show at the Philly Fillmore.<\/p>\n

On the way out after the show, each fan was given a print of Bonnie\u2019s artwork as well as another poster commemorating the event. Both are very cool collectibles.<\/p>\n

Daryl. John. Fillmore. Philly. It was as close to perfect as it could get.<\/p>\n","protected":false},"excerpt":{"rendered":"

The reality of a Hall & Oates show for me is this: Daryl and John could come out on stage, stand on their heads and play polka music on accordions and I\u2019d be happy with it. For the record, there is no accordion in the H&O band. This is probably a good thing, although I […]<\/p>\n","protected":false},"author":104,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[112,203],"class_list":["post-392","post","type-post","status-publish","format-standard","hentry","category-tvdbook","tag-hall-oates","tag-philadelphia-fillmore"],"_links":{"self":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/392"}],"collection":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/comments?post=392"}],"version-history":[{"count":0,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/392\/revisions"}],"wp:attachment":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/media?parent=392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/categories?post=392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/tags?post=392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}