{"id":376,"date":"2015-08-09T20:53:02","date_gmt":"2015-08-10T00:53:02","guid":{"rendered":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/?p=376"},"modified":"2015-08-09T20:53:02","modified_gmt":"2015-08-10T00:53:02","slug":"shake-shake-shaking-booty-with-kc-and-the-sunshine-band","status":"publish","type":"post","link":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/shake-shake-shaking-booty-with-kc-and-the-sunshine-band\/","title":{"rendered":"Shake, shake, shaking booty with KC and The Sunshine Band"},"content":{"rendered":"<div id=\"attachment_378\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2086-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-378\" class=\"size-medium wp-image-378\" src=\"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2086-1-300x225.jpg\" alt=\"Harry Wayne Casey - a.k.a. KC of KC and The Sunshine Band - belts out one of his classic dance tunes Aug. 8, 2015, at the Tropicana in Atlantic City. (Photo by Mike Morsch)\" width=\"300\" height=\"225\" srcset=\"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2086-1-300x225.jpg 300w, https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2086-1-768x576.jpg 768w, https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2086-1-1024x768.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-378\" class=\"wp-caption-text\">Harry Wayne Casey &#8211; a.k.a. KC of KC and The Sunshine Band &#8211; belts out one of his classic dance tunes Aug. 8, 2015, at the Tropicana in Atlantic City.<br \/>(Photo by Mike Morsch)<\/p><\/div>\n<p>Once tickets had been secured for the KC and The Sunshine Band show Aug. 8 at the Tropicana in Atlantic City, it occurred to me that I maybe hadn\u2019t put enough thought into the specifics of attending the concert.<\/p>\n<p>In the days leading up to the show, one question loomed large: At this age, could I actually shake my booty for an entire KC concert without pulling a hamstring, throwing out my back or asking a paramedic to sit in the seat next to me with a defibrillator at the ready?<\/p>\n<p>At the height of its popularity in the 1970s, KC and The Sunshine Band was all about dance music. No surprise there for those of us who grew up listing to it. The opening lines to one of the band&#8217;s biggest hits are, \u201cEverybody, get on the floor, let\u2019s dance. Don\u2019t fight your feelings, give yourself a chance. Oh shake shake shake, shake shake shake. Shake your booty, shake your booty.\u201d<\/p>\n<p>And there was a time, in the mid- to late-1970s, where dancing all night long wasn\u2019t an issue for me. I graduated from high school in the spring of 1977 and started college at Iowa State University in Ames, Iowa, in the fall. Between 1975 and 1977, KC and The Sunshine Band had produced four No. 1 hits: \u201cGet Down Tonight,\u201d \u201cThat\u2019s the Way (I Like It),\u201d \u201cShake Your Booty\u201d and \u201cI\u2019m Your Boogie Man\u201d; and a No. 2 single, \u201cKeep It Comin\u2019 Love.\u201d<\/p>\n<div id=\"attachment_379\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2193-1.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-379\" class=\"size-medium wp-image-379\" src=\"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2193-1-300x225.jpg\" alt=\"KC played to an enthusiastic crowd of booty shakers at the Tropicana gig. (Photo by Mike Morsch)\" width=\"300\" height=\"225\" srcset=\"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2193-1-300x225.jpg 300w, https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2193-1-768x576.jpg 768w, https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-content\/uploads\/2015\/08\/DSCN2193-1-1024x768.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-379\" class=\"wp-caption-text\">KC played to an enthusiastic crowd of booty shakers at the Tropicana gig.<br \/>(Photo by Mike Morsch)<\/p><\/div>\n<p>In the middle of Iowa in 1977, there wasn\u2019t much to do other than dance. (For the purposes of this discussion, tractor pulls don\u2019t count because those were sanctioned events that involved competition and judging.)<\/p>\n<p>So KC and The Sunshine Band was right in my wheelhouse in Iowa in 1977. There was a disco only a few blocks from the dorms. I can neither confirm nor deny that alcohol was involved at the time. But I can say this: If I could recall any of my disco shenanigans, I\u2019m certain they\u2019d be among the fondest memories from my first year of college. (Do a little dance, drink a little beer, throw up tonight, throw up tonight baby.)<\/p>\n<p>But that was nearly 40 years ago. Fortunately, Harry Wayne Casey &#8211; a.k.a. KC &#8211; realizes that some time has passed. Now that\u2019s not to say that KC\u2019s crowds these days are too old to dance. Quite the contrary. It\u2019s just that we all seem to know our limitations.<\/p>\n<p>KC is now 64 years old, a fact that he revealed during the Tropicana show. \u201cFor the young people in the audience, think of it like this: I\u2019m your mom\u2019s NSYNC,\u201d he said, to hoots and hollers from the faithful. \u201cThis is what Justin Timberlake is going to look like in 30 years.\u201d<\/p>\n<p>From the curtain, it was apparent we were going to dance, because the first song was \u201cShake Your Booty.\u201d That sets the tone for a KC and The Sunshine Band concert these days, much like it did back in the day. And I know this because KC himself told me as much.<\/p>\n<p>\u201c\u2018Shake Your Bootie\u2019 was really a song I came up with because I\u2019d see people fighting the urge, wanting to have a good time, just not being themselves,\u201d said KC in an interview a few weeks ago. \u201cI wrote that song after witnessing people fighting having a good time, fighting those feelings, to just get out there and shake your butt, shake your booty. Have a good time, enjoy life because it goes by quickly. That\u2019s what that song is really about.\u201d<\/p>\n<p>It was the second time I had interviewed KC. In the first interview a few years ago, he detailed the making of the band\u2019s second studio album, the 1975 self-titled \u201cKC and The Sunshine Band\u201d for The Vinyl Dialogues. A portion of the most recent interview included KC\u2019s recollections about the making of the group\u2019s 1976 album, \u201cPart 3,\u201d which I hope to include in Volume III of The Vinyl Dialogues series next year.<\/p>\n<p>But the great thing about a KC and The Sunshine Band show now is that although both KC and the audience members are going to do a lot of dancing, it won\u2019t be constant. Neither the star nor the majority of the fans are 21 years old anymore. To help alleviate that, KC has hired some great females dancers for us to watch as we plop our tired booties back into the theater seats for a bit of a rest.<\/p>\n<p>KC also used three costume changes during the evening. And to give the booty shakers even more time to re-energize, he mixed in a few ballads (but only a few) and told a story or two between some songs. It was a perfect pace set by an experienced performer. We danced . . . a lot. But we also had a couple of well-placed timeouts.<\/p>\n<p>It was the first time I had seen KC and The Sunshine Band live, and it was my wife\u2019s idea. We saw KC perform on TV at the Fourth of July celebration this year in Washington, D.C. She mentioned then that it was a concert she would like to see. As a KC fan, certainly I was in complete agreement, despite the fact that she is a product of the 1980s, so her booty is a bit younger than mine and more capable of being able to shake shake shake for an entire concert.<\/p>\n<p>KC has still got it. He has a much fun as the audience at his shows. An entertainer, a performer, a singer, a songwriter, the Boogie Man keeps it real as well. When his voice didn\u2019t perform like he wanted it to at the beginning of \u201cPlease Don\u2019t Go\u201d &#8211; the band\u2019s fifth No. 1 single that was released in 1979 &#8211; he acknowledged after its conclusion that the song got off to \u201ca rough start.\u201d To me, admitting to being human is an endearing quality for a performer.<\/p>\n<p>And those classic dance songs, well, there\u2019s no question in my mind that they\u2019ve transcended the generations and stood the test of time.<\/p>\n<p>If you don\u2019t believe that, then you\u2019d better check your pulse. You may be beyond the help of any paramedics.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Once tickets had been secured for the KC and The Sunshine Band show Aug. 8 at the Tropicana in Atlantic City, it occurred to me that I maybe hadn\u2019t put enough thought into the specifics of attending the concert. In the days leading up to the show, one question loomed large: At this age, could [&hellip;]<\/p>\n","protected":false},"author":104,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[29,116,142,294],"class_list":["post-376","post","type-post","status-publish","format-standard","hentry","category-tvdbook","tag-atlantic-city","tag-harry-wayne-casey","tag-kc-and-the-sunshine-band","tag-tropicana"],"_links":{"self":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/376"}],"collection":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/comments?post=376"}],"version-history":[{"count":0,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/376\/revisions"}],"wp:attachment":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/media?parent=376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/categories?post=376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/tags?post=376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}