{"id":1212,"date":"2020-01-08T20:56:34","date_gmt":"2020-01-09T01:56:34","guid":{"rendered":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/?p=1212"},"modified":"2020-01-09T07:55:14","modified_gmt":"2020-01-09T12:55:14","slug":"the-making-of-the-beach-boys-holland-album-and-the-back-story-on-sail-on-sailor","status":"publish","type":"post","link":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/the-making-of-the-beach-boys-holland-album-and-the-back-story-on-sail-on-sailor\/","title":{"rendered":"The making of the Beach Boys’ ‘Holland’ album and the back story on ‘Sail On, Sailor’"},"content":{"rendered":"\n

On Jan. 8, 1973, the Beach Boys released the \u201cHolland\u201d album, which included the hit \u201cSail On, Sailor,\u201d featuring Blondie Chaplin on lead vocals. Here is an excerpt from a chapter in The Vinyl Dialogues Volume IV: From Studio to Stylus that includes an interview with Blondie Chaplin about the making of the \u201cHolland\u201d album and the back story on how he was chosen to sing lead on \u201cSail On, Sailor.\u201d<\/em><\/p>\n\n\n\n

After spending about three months recording in Holland over the summer of 1972, the Beach Boys had returned to the United States thinking they had finished their 19th studio album.<\/p>\n\n\n\n

But when they presented the album \u2014 called Holland<\/em> \u2014 to Warner Brothers, record company officials rejected it because it didn\u2019t appear to the suits that it had a song that could be marketed as a potential hit single.<\/p>\n\n\n\n

Beach Boys co-founder Brian Wilson had co-written another song \u2014 along with Van Dyke Parks, Ray Kennedy, Tandyn Almer and Jack Rieley \u2014 that Parks, then the director of audio-visual services at Warner Brothers and a longtime collaborator of Brian Wilson, thought might allay the concerns of record company officials.<\/p>\n\n\n\n

The thinking was that the song \u201cWe Got Love,\u201d which record company officials considered the weakest of the tracks on the Holland<\/em> album, could be replaced with the new song, which could then be released as a single.<\/p>\n\n\n\n

\"\"
Blondie Chaplin still performs with Brian Wilson’s band.
(Photo by Mike Morsch)<\/figcaption><\/figure><\/div>\n\n\n\n

So Brian Wilson\u2019s brothers, Carl and Dennis, along with guitarist Blondie Chaplin and drummer Ricky Fataar, went back into the studio in Los Angeles and recorded the song.<\/p>\n\n\n\n

Chaplin and Fataar, both South African natives who were with a band called the Flames, had joined the Beach Boys in 1971 at the invitation of Carl Wilson, to infuse some new blood into the band that in the early 1970s was trying to make over its image and struggling to maintain its relevance.<\/p>\n\n\n\n

\u201cOn the original track, I played bass, Ricky played drums and Carl was on the electric piano. It was just the three of us,\u201d said Chaplin. \u201cThen Carl asked Dennis to sing the lead. Dennis took one pass \u2014 not even a pass really \u2014 and said \u2018Carl, this is not for me. It doesn\u2019t sound good for me. And by the way, the surf is up and I\u2019m going surfing.\u2019 That was it. It wasn\u2019t weird or anything, it was just Dennis. He just said, \u2018Hey, I\u2019m going to surf now.\u2019 <\/p>\n\n\n\n

\u201cThen Carl sang it, and it sounded good to me. But he didn\u2019t like the timbre of his voice on it. So he asked me to give it a shot. I sang it twice and that\u2019s what you hear on the album. That\u2019s how I got a chance to sing it,\u201d said Chaplin.<\/p>\n\n\n\n

The song was \u201cSail On, Sailor,\u201d and it was released as a single off the Holland<\/em> album in 1973. The album itself was critically well-received at the time, peaking at No. 36 in the U.S. on the Billboard 200 Albums chart and No. 20 on the United Kingdom Top 40 album chart.<\/p>\n\n\n\n

\u201cSail On, Sailor\u201d only made it to No. 79 on the U.S. Billboard Hot 100 Singles chart when it was first released. But it was re-released two years later, in 1975, and reached No. 49 on the Billboard Hot 100 Singles chart.<\/p>\n\n\n\n

Chaplin and Fataar contributed more to the Holland <\/em>album as well, co-writing the song \u201cLeaving This Town\u201d with Carl Wilson.<\/p>\n\n\n\n

\"\"
Al Jardine, left, and Blondie Chaplin.
(Photo by Mike Morsch)<\/figcaption><\/figure><\/div>\n\n\n\n

\u201cIt was great to be in Holland for three months just trying to make some music. It was a good album,\u201d said Chaplin. \u201cI just know one thing: I\u2019ve always felt that Carl got us in there for new blood and was willing to go and give it a shot to make something new go down, develop a new kind of personality for the band. The album had some problems when it first came out because record company officials couldn’t find a hit song. <\/p>\n\n\n\n

\u201cBut \u2018Sail On, Sailor\u2019 was it. We cut \u2018Sail On, Sailor\u2019 and put it on the album so we could have a little bit of wings on the radio. That\u2019s how that came about. But now when you listen to it as a whole album, it plays pretty good,\u201d said Chaplin.<\/p>\n\n\n\n

A reviewer for Rolling Stone agreed with Chaplin\u2019s assessment of the Holland<\/em> album.<\/p>\n\n\n\n

\u201cIn acknowledgment of Brian Wilson’s still honored if slightly mythological status, even within the group, the album both opens and closes with a new Brian opus. As usual, each is informed by a singular sensibility that, currently, seems inclined toward a kind of chamber rock,\u201d wrote Jim Miller in the Rolling Stone<\/em> review first published on March 1, 1973. \u201cBlondie Chaplin’s superb vocal on \u2018Sail On, Sailor\u2019 situates that song between recent Stevie Wonder and vintage Beach Boys, although the expansive harmonies and insistent triplets ultimately assert the group’s own rights.\u201d<\/p>\n\n\n\n

Miller continued: \u201cLike the finest Beach Boys’ work, Holland<\/em> makes me consistently smile, as much at its occasionally unnerving simplicity of viewpoint as at its frequently ornate perfection. Although the Beach Boys may be an acquired taste, once the listener has granted them their stylistic predilections, their best records become irresistible. Their music long ago transcended facile categorization, and they now play what might as well be described simply as Beach Boys music. Unlike last year’s disappointing So Tough, Holland<\/em> offers that music at its most satisfying. It is a special album.\u201d<\/p>\n\n\n\n

Chaplin would leave the Beach Boys in 1976. He recorded a self-titled solo album for Asylum Records in 1977 and, in the 1980s, toured with The Band. In the 1990s, Chaplin was a guitarist, backing vocalist and percussionist for the Rolling Stones, both on tour and in the studio.<\/p>\n\n\n\n

More than 40 years after recording the Holland <\/em>album, Chaplin rejoined Brian Wilson and Al Jardine on an extended tour that celebrated the 50th anniversary of Brian\u2019s masterpiece Pet Sounds<\/em> album. During that tour, Chaplin had the opportunity to once again sing \u201cSail On, Sailor\u201d live, even though the song appeared on the Holland<\/em> album and not the Pet Sounds<\/em> album. It was an opportunity for Brian Wilson to salute Chaplin\u2019s contributions to the Beach Boys from years ago and it went so well that Chaplin is still touring with Wilson and Jardine as of 2020.<\/p>\n\n\n\n

\u201cIt gives me a big old chuckle because I wouldn\u2019t have thought so 40 years ago,\u201d said Chaplin on if he believed he would still be singing the song. \u201cI really wouldn\u2019t have thought I\u2019d still be talking about how \u2018Sail On, Sailor\u2019 came about. But I guess it\u2019s become a classic, and newer fans want to know more things about it. I would have never thought, \u2018Hey, man, this is going to stand the test of time.\u2019 Not at all. It was like, \u2018OK, I\u2019m going to sing this song, let me try to sing it good and that\u2019s it.\u2019<\/p>\n\n\n\n

\u201cI don\u2019t know if I had been doing it every night for the past 40 years if I\u2019d feel that way. But now, it\u2019s nice and fresh and clean and has a harder edge when we do it live and has a stronger back beat blues thing. I\u2019m quite happy to still be singing it,\u201d he said.
<\/p>\n","protected":false},"excerpt":{"rendered":"

On Jan. 8, 1973, the Beach Boys released the \u201cHolland\u201d album, which included the hit \u201cSail On, Sailor,\u201d featuring Blondie Chaplin on lead vocals. Here is an excerpt from a chapter in The Vinyl Dialogues Volume IV: From Studio to Stylus that includes an interview with Blondie Chaplin about the making of the \u201cHolland\u201d album […]<\/p>\n","protected":false},"author":104,"featured_media":1213,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-1212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tvdbook"],"_links":{"self":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/1212"}],"collection":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/comments?post=1212"}],"version-history":[{"count":2,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/1212\/revisions"}],"predecessor-version":[{"id":1218,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/posts\/1212\/revisions\/1218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/media\/1213"}],"wp:attachment":[{"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/media?parent=1212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/categories?post=1212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vinyldialogues.com\/VinylDialoguesBlog\/wp-json\/wp\/v2\/tags?post=1212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}